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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Black Lives Matter Memorial Fence
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Washington DC
Description
An account of the resource
This collection includes documentation by Nadine Seiler and Aliza Leventhal on and around the Black Lives Matter Memorial Fence in Washington D.C. This fence served as a site of protest from the summer of 2020 through January 2021.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Protest signs and artwork on the Black Lives Matter Memorial Fence, Date: 25 October 2020
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
H Street NW and 16th Street NW, Washington, D.C., USA
Source
A related resource from which the described resource is derived
The Black Lives Matter Memorial fence was a temporary chainlink fence installed in the area north of Lafayette Park and the White House from June 2, 2020, until January 30, 2021. The fence prevented public access to the area, and it also served as an important site of protest and self-expression.
Activist Nadine Seiler played a crucial role in protecting and caring for the fence, along with Karen Irwin and other activists in a loosely-formed group informally known as the "Guardians of the Fence." Nadine Seiler and Aliza Leventhal systematically documented the fence over the course of months, and Seiler became the de facto curator of the fence.
Additional information:
Library of Congress blog post "Protest Preserved: Signs from D.C.'s Black Lives Matter Memorial Fence"
D.C. Public Library Black Lives Matter Memorial Fence Artifact Collection”
Rights
Information about rights held in and over the resource
Photographer: Aliza Leventhal
Publisher
An entity responsible for making the resource available
Urban Art Mapping
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-10-25
Contributor
An entity responsible for making contributions to the resource
MM
Description
An account of the resource
Protest signs and posters on the Black Lives Matter Memorial Fence, located on the north side of Lafayette Park in Washington D.C.
As if parodying election signs there is a white poster which reads “Trump COVID Takes Americas Breath Away! 2020” it has a red outline as well as four stars above and below the text with an infection symbol between the two stars on the top and bottom.
There are three posters, and one reads “This building is of the center of FREEDOM and DEMOCRACY. TRUMP has turned the White House into a cesspool of COVID. Vote Democrat”. Underneath this is an ombré purple and red Biden/Harris campaign poster with white text that reads “Vote! Text Vote to 30330” underneath this reads “Biden Harris”. To the right of this poster reads “McConnell: Relief to People in need, not blank checks to billionaires” which is held up with green and blue tape.
There is a black poster that has the word “Demand” repeatedly spray painted on it and layered on top of this text is blocky white text which reads “Black Lives Matter”. To the right of the text is a photograph of George Floyd's last words combined together in a way to create a headshot of George Floyd himself.
There are four posters on a pillar. The first poster reads “VOTE our lives depend on it!”. Next to it there is another poster that is handwritten and reads “Silence is Violence” with violence captured in a red box and on the far side of the poster are small letters which reads “Silence is complicity”. Underneath this poster is a black poster that reads “Who do you protect?? Black Lives Matter” and then in blue paint over this “ACAB” [All Caps are Bastards]. Underneath this poster are words spray painted on the pillar which starts off as “Is it a coincidence…” and then a poster is taped over the rest of the statement and in green, purple, and gold paint a poster reads “Black Lives Have Always Mattered Let's Act Like It!”
There are three posters on the fence with a cardboard poster that is covered with a lot of tape and reads “Good Trouble” that has been spray painted with black and silver and there's a sticker next to it that reads “Trump/Pence OUT NOW” and it has a website under that which reads Refusefacism.org #OUTNOW!”. There is a poster underneath that reads “Being Black in America is Exhausting. Y'all want us to Sing, Dance, Play Football, Shoot Basketball, Be Target Practice and be QUIET. Signed, An Exhausted Black Folk”. Next to this is an image of old slave shackles that have been shown on a poster and reads “Your Ancestors Have A Message…VOTE!” and the shackles are in the shape of a V for “vote” and then there is a small pink flower in the corner.
Ancestors
Black in America
Black Lives Matter
Black Lives Matter Memorial Fence
COVID-19
Democracy
election
Freedom
George Floyd
Good Trouble
Pence
Silence is complicity
Trump
vote
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f7222833f6316806cbab20998380ea73
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anti-Racism & Social Justice
Description
An account of the resource
This collection includes a wide range of imagery addressing anti-racism and the path to achieve social justice.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Mural
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Edreys Wajed (@edreys)
Title
A name given to the resource
John Lewis // Good Trouble
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
385 Paderewski Dr, Buffalo, New York, United States 14212
Description
An account of the resource
A black-and-white portrait of the late Congressman and Civil Rights activist John Lewis as a young man, his face intense in thought, wearing a white short sleeve shirt and dark tie. The background behind him is a wash of pale yellow with abstract red, blue, and green details. The words "Good Trouble" are written in simple, fully-capitalized block lettering to Lewis' left (viewer's right).
Source
A related resource from which the described resource is derived
John Lewis (February 21, 1940 – July 17, 2020) served in the United States House of Representatives for Georgia's 5th congressional district from 1987 until his death in July 2020.
Rights
Information about rights held in and over the resource
Creator: Edreys Wajed (@edreys)
Photographer: Quajay Donnell (@qua.jay)
Publisher
An entity responsible for making the resource available
Urban Art Mapping Research Project
Date
A point or period of time associated with an event in the lifecycle of the resource
2021-07-17
Contributor
An entity responsible for making contributions to the resource
F.S.
Identifier
An unambiguous reference to the resource within a given context
UAM-GF_2790
@edreys
@qua.jay
Activist
Black-and-White
Buffalo
civil rights
Edreys Wajed
Good Trouble
John Lewis
Mural
New York
portrait
Quajay Donnell
text
United States
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174111db54c487df3a4f84a1e1498ffa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hope, Unity, Community
Description
An account of the resource
Images and text in this group focus on unity and hope as a path for the future, or focus on the power of community in overcoming racism.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Mural
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Get Into Good Trouble
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
New York, New York, USA
Description
An account of the resource
A stencil of John Lewis outlined by his quote: "Get into good trouble." This is situated on a red background. Next to it, the same stencil and quote sit on a yellow and purple background. Below the two stencils, capital letters read, "WE WILL".
Rights
Information about rights held in and over the resource
Photographer: Robin Tzannes
Publisher
An entity responsible for making the resource available
Urban Art Mapping Research Project
Date
A point or period of time associated with an event in the lifecycle of the resource
2020-11-14
Contributor
An entity responsible for making contributions to the resource
ESW
Identifier
An unambiguous reference to the resource within a given context
UAM-GF_1949
Good Trouble
John Lewis
Mural
New York
New York City
USA