There is a spray painted fist that reads "JUSTICE" on the side of the hand. A poster that reads "EVERYBODY OUT! Whether Trump tries to steal the election or Biden wins and tries to continue Trump's policies, we can get out in the streets together and stop them. Everybody out! For resources, tactics, and updates: cwc.im/EverybodyOut" It has an image of the US Capital upside down with people falling from it onto the street of Washington D.C. that show protestors holding a sign that reads "THEY ALL MUST GO".
There is a horizontal shot of a part of the fence with multiple posters and in front of it is a headshot of Trump that has a Hitler mustache drawn on and a poster underneath which reads " Black, Trans, Woman's, Queer, Disabled Lives Matter! White silence is violence! The top of the poster reads All Black Lives Matter.
There are multiple posters that read “No Justice No Peace” Next to this poster are two photos of Michael Marshall and reads “November 2016…Rest in Power” as well as Bryan Overstreet reads “April 2015…Rest in Power”. Underneath this is a poster which reads “Black Trans Lives Matter printed on a trans flag background. There is another poster that reads “Black Lives Matter = Abolish The Police” with drawings of three pigs crossed out with a red X. Under this poster is one that reads “Protect Black Woman with a drawn gold crown and next to this is a poster which reads “Fuck Donald Trump” with Trump drawn as a pig.

There is a photo of a panoramic view of the BLM memorial fence showing many posters and BLM protestors in front of the Washington Monument with a bright orange sweatshirt hung up above the fence.]]> Activist Nadine Seiler played a crucial role in protecting and caring for the fence, along with Karen Irwin and other activists in a loosely-formed group informally known as the "Guardians of the Fence." Nadine Seiler and Aliza Leventhal systematically documented the fence over the course of months, and Seiler became the de facto curator of the fence.

Additional information: 

Library of Congress blog post "Protest Preserved: Signs from D.C.'s Black Lives Matter Memorial Fence" 

D.C. Public Library Black Lives Matter Memorial Fence Artifact Collection”

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Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.]]>
There is a far away shot of the BLM Memorial Fence with the Washington Monument in the background that is lit up. There are multiple signs on the fence and the legible ones read "Watch for Black Lives" and "Trump Must Go!"

There is a weathered sign that reads "See the World though human lends. White is a construct. We are...[illegible]...Skin Color".

There is a poster that reads "Inciting A Race War Won't Help. Your Acts = Treason, Punishable by Death...Great For Ur Ratings." Below this is the top of a poster that reads "I don't want my body or my back to..." and the rest of the poster is cut off from the photograph.

There is a black poster with white lettering that reads "Black Lives Matter" and is surrounded by drawn hearts. Next to this is a cardboard poster that reads "Demand Justice" and another that faintly reads "Unity". Between these signs is the flag of Guyana.]]> The Black Lives Matter Memorial fence was a temporary chainlink fence installed in the area north of Lafayette Park and the White House from June 2, 2020, until January 30, 2021. The fence prevented public access to the area, and it also served as an important site of protest and self-expression. 

Activist Nadine Seiler played a crucial role in protecting and caring for the fence, along with Karen Irwin and other activists in a loosely-formed group informally known as the "Guardians of the Fence." Nadine Seiler and Aliza Leventhal systematically documented the fence over the course of months, and Seiler became the de facto curator of the fence. 

Additional information: 

Library of Congress blog post "Protest Preserved: Signs from D.C.'s Black Lives Matter Memorial Fence" 

D.C. Public Library Black Lives Matter Memorial Fence Artifact Collection”

]]>
Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.]]>
There are papers that are slightly ripped and reads "No Vote is no Representation...Vote". Underneath this is a paper that reads "Demand DC's Core Four: 1. Police-Free DC Schools 2. End Qualified Immunity 3. Establish A New DC Public Safety Department 4. Make Election Days a DC Holiday". To the right of this paper is a drawing of a raised fist and the silhouettes of Tommie Smith and John Carlos raising the Black Power Salute from the 1968 Olympics in Mexico.

There is a far away shot of a section of the BLM memorial fence that has the Washington Monument in the background.

There is a cardboard sign that reads "Sandra, your Naperville family will always say your name", underneath this sign is one that reads "WEEP With Those Who WEEP" and a sticker with the USPS symbol on it reads "United We Riot". There are multiple pictures of Black Americans who lost their lives to police brutality and multiple posters next to these photographs which read "Black Lives Matter", "No Justice No Fourth", and "#BlackVotersMatter.]]> The Black Lives Matter Memorial fence was a temporary chainlink fence installed in the area north of Lafayette Park and the White House from June 2, 2020, until January 30, 2021. The fence prevented public access to the area, and it also served as an important site of protest and self-expression. 

Activist Nadine Seiler played a crucial role in protecting and caring for the fence, along with Karen Irwin and other activists in a loosely-formed group informally known as the "Guardians of the Fence." Nadine Seiler and Aliza Leventhal systematically documented the fence over the course of months, and Seiler became the de facto curator of the fence. 

Additional information: 

Library of Congress blog post "Protest Preserved: Signs from D.C.'s Black Lives Matter Memorial Fence" 

D.C. Public Library Black Lives Matter Memorial Fence Artifact Collection”

]]>
Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.]]>
In these images, some signs depict the images of women with their names. Other signs that were created using markers on posterboard have messages such as "I Can't Breathe" and "Ready or not Change is A Comin." There is also a section of the fence that reads "Defund MPD" in colorful paper.]]> The Black Lives Matter Memorial fence was a temporary chainlink fence installed in the area north of Lafayette Park and the White House from June 2, 2020, until January 30, 2021. The fence prevented public access to the area, and it also served as an important site of protest and self-expression. 

Activist Nadine Seiler played a crucial role in protecting and caring for the fence, along with Karen Irwin and other activists in a loosely-formed group informally known as the "Guardians of the Fence." Nadine Seiler and Aliza Leventhal systematically documented the fence over the course of months, and Seiler became the de facto curator of the fence. 

Additional information: 

Library of Congress blog post "Protest Preserved: Signs from D.C.'s Black Lives Matter Memorial Fence" 

D.C. Public Library Black Lives Matter Memorial Fence Artifact Collection ]]>
Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.]]>
In these images, some signs focus on text and were created using marker on white or neon posterboard or cardboard. A portrait of Breonna Taylor hangs near the top of the fence. There are mylar balloons with the numbers "27" to commemorate Taylor's birthday, which would have been four days before this photograph was taken. There are also pieces of cloth and small crosses with names on them attached to the fence. ]]>
Activist Nadine Seiler played a crucial role in protecting and caring for the fence, along with Karen Irwin and other activists in a loosely-formed group informally known as the "Guardians of the Fence." Nadine Seiler and Aliza Leventhal systematicallly documented the fence over the course of months, and Seiler became the de facto curator of the fence. 

Additional information: 

Library of Congress blog post "Protest Preserved: Signs from D.C.'s Black Lives Matter Memorial Fence" 

D.C. Public Library Black Lives Matter Memorial Fence Artifact Collection ]]>
Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.]]>
Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.]]>
Images are collected in this archive for educational purposes and are not intended for commercial use. Reproduction rights for all images remain with the creators/photographers when we are able to identify them.

We seek to identify artistic creators when they want to be identified, and we respect their rights to protect their identity should they choose to remain anonymous. Please contact us if you are the creator of work in this archive and you wish to be identified or if you wish for your work to be removed from the archive.
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